Saturday, April 29, 2017

Book Review of St. Teresa of Avila's "The Interior Castle"

Photo credit: User:Donisecz of Wikimedia Commons

One important thing to know about St. Teresa of Avila is that she was (and, being a saint, still is) even more awesome than this beautiful stained-glass image of her. She was a fourteenth-century Carmelite nun of strong faith who “made significant contributions during the Catholic Reformation”[1] (a revitalization that resounded throughout the Catholic Church as, at least in part, a reaction to the Protestant Reformation[2]). “In 1970 she was declared a Doctor of the Church for her writing and teaching on prayer.”[3] What an honor it is, then, to be reviewing her book The Interior Castle, which has prayer as one of its primary foci[4] and is probably one of the works that led to her receiving such a title.

Yet, Teresa herself never would have predicted that. Quite the contrary, she made it clear that she thought her book would be of use to no one beyond the bounds of her convent, her fellow nuns being those for whom the book was originally intended[5] (something I did not know before I began The Interior Castle, but which did not keep me from learning from it). As she put it, “the idea that any one else could benefit by what I say would be absurd.”[6]

This is just one example of her incredible humility as it’s manifested in The Interior Castle. I mean, it’s not often that you see an author tell her audience such things as how “stupid” or “very ignorant” she thinks she is[7]; but at the same time, it’s probably not often that you read an author as humble as Teresa of Avila.

The main premise of the book is to outline the steps of the spiritual journey of the soul by analogizing each of these steps with sets of mansions that the soul progressively lives in. These range from the first mansions, which contain people “still absorbed in the world, immersed in its pleasures, and eager for its honours and distinctions,” and who “possess little strength for self-defence,”[8] to the seventh mansions, which contain those who experience—to some degree—“divine and spiritual nuptials.”[9]

Teresa also recounted the effects of being in these mansions, the various trials, favors, attitudes, and forms of mystical prayer that will come upon a person as she (remember, this was written for her fellow nuns) progresses through them. Some of these can seem rather unsettling, especially when it comes to “dryness,”[10] having one’s friends turn on one,[11] and spiritual pain.[12] Yet, these things should not deter a person from pursuing progression through the mansions. Teresa reports that, in the seventh mansion, God will at times allow people to feel what it’s like to be back in prior mansions—that is, to feel the difference between the past and the present—and to realize how much worse off they were back in those stages. “[T]hese persons learn what benefits they derive from the holy Company they are in.”[13] No matter what trials it might entail, it is unquestionably better to have developed the closeness to God and the aversion to sin found in the later mansions than to have stayed put in the earlier ones.[14]

Of course, there is one potential issue I would like to point out in the theory of step-by-step spiritual progression. While it might make sense to apply it very generally to any number of people, it’s also important to keep in mind that 1) all people are different, and 2) God has the exact same plan for no two people. My point is, one cannot expect these steps to produce exactly the same effects in any two people. Sometimes, Teresa might edge towards applying such effects too specifically to too many individuals; for instance, when she says of those in the seventh mansions:

If [God] would have [a person in the seventh mansions] suffer, she is content; if not, she does not torment herself to death about it as she used to do. She feels a great interior joy when persecuted, and is far more peaceful than in the former state under such circumstances: she bears no grudge against her enemies, nor wishes them any ill. Indeed she has a special love for them, is deeply grieved at seeing them in trouble, and does all she can to relieve them, earnestly interceding with God on their behalf. She would be glad to forfeit the favours His Majesty shows her, if they might be given to her enemies instead, to prevent their offending our Lord.[15]

Could not these things also be the case for some of those in earlier mansions? Perhaps they’re more likely in the seventh mansions, but aren’t they possible in earlier ones? Obviously, all are called to love their enemies, regardless of their varying levels of spirituality—and I would think that some in lower levels would be truly capable of this. However, it’s important to note that Teresa does take differences between particular people into account, such as in her discussion of the sixth mansions, where she states that certain “particular graces are not granted to everybody, [so] any one who receives them should esteem them highly and strive to serve God more zealously.”[16]

Something that really struck me in The Interior Castle was the notion of, as I mentioned above, spiritual agony. This is also covered in the section on the sixth mansions. Here’s an excerpt from Teresa’s description of it:

This is a trance of the senses and faculties except as regards what helps to make the agony more intense. The understanding realizes acutely what cause there is for grief in separation from God and His Majesty now augments this sorrow by a vivid manifestation of Himself. This increases the anguish to such a degree that the sufferer gives vent to loud cries which she cannot stifle, however patient and accustomed to pain she may be, because this torture is not corporal but attacks the innermost recesses of the soul. The person I speak of learnt from this how much more acutely the spirit is capable of suffering than the body; she understood that this resembled the pains of purgatory, where the absence of the flesh does not prevent the torture’s being far worse than any we can feel in this world.[17]

This is a very powerful reminder of what those in Purgatory and, worse still, those in hell experience (hell being even worse torture than Purgatory[18]). For practical purposes, it shows why one will want to spend as little time as possible in Purgatory and avoid hell at all costs.

One way to work towards this end is to pray; for as Teresa points out, “prayer is a necessity to prevent us from constantly falling into temptation.”[19] But a person can’t pray mindlessly. Another very important point she brings up is that “if it is prayer at all, the mind must take part in it. If a person neither considers to Whom he is addressing himself, what he asks, nor what he is who ventures to speak to God, although his lips may utter many words, I do not call it prayer.”[20]

Though at times it may go off-topic or become a bit confusing (as Teresa herself points out[21]), The Interior Castle overall isn’t too difficult to follow. While strict adherence to the entire proposed method of spiritual progression may not be practical for all people (for instance, though everyone should obviously all strive to grow as much as they can spiritually, days of being wiped out from spiritual trials[22] may not work well for those trying to raise small children; such people have another duty), it could certainly be useful for those who have been called to religious life and can educate most anyone about the Catholic spiritual life.

There are various ways to read or listen to this book. Following are three links to it: the first to a PDF copy provided by Documenta Catholica Omnia, which I’ve chosen to reference here; the second to the chapter-by-chapter copy at Christian Classics Ethereal Library; and the third to the first part of a YouTube playlist of audio-recorded parts of The Interior Castle amounting to the entirety of it (which is what I myself used to listen to the book).







[1] John Vidmar, OP, The Catholic Church through the Ages: A History, Kindle edition.
[2] see Alan Schreck. Ph.D., The Compact History of the Catholic Church, revised ed. (Cincinnati, OH: Servant Books, 2009), 78-79.
[3] “St. Teresa of Avila,” at Catholic Online (25 April 2017), at www.catholic.org.
[4] see St. Teresa of Avila, The Interior Castle, ed. Benedict Zimmerman and transcribed by John Bruno Hare (Grand Rapids, MI: Christian Classics Ethereal Library), 15, at Documenta Catholica Omnia (29 April 2017), at documentacatholicaomnia.eu.
[5] see Teresa, Interior Castle, 15-16.
[6] Teresa, Interior Castle, 16.
[7] Teresa, Interior Castle, 40, 44.
[8] Teresa, Interior Castle, 23.
[9] Teresa, Interior Castle, 120.
[10] Teresa, Interior Castle, 71.
[11] see Teresa, Interior Castle, 69.
[12] see Teresa, Interior Castle, 112.
[13] Teresa, Interior Castle, 128.
[14] cf. Teresa, Interior Castle, 29-30.
[15] Teresa, Interior Castle, 124.
[16] Teresa, Interior Castle, 102.
[17] Teresa, Interior Castle, 112.
[18] see Teresa, Interior Castle, 113.
[19] Teresa, Interior Castle, 30. cf. “Origen on Prayer: Chapter XIX: And Bring Us Not Into Temptation but Deliver Us From Evil,” at Christian Classics Ethereal Library (29 April 2017), at www.ccel.org.
[20] Teresa, Interior Castle, ref. Way of Perf. ch. xxi. 6; xxix. 4.
[21] see Teresa, Interior Castle, 43, 34.
[22] see Teresa, Interior Castle, 112.


Joyful Christian Music of the Eighteenth and Nineteenth Centuries

Below follow the recordings of my renditions of four Christian songs from the eighteenth and nineteenth centuries, accompanied by brief histories of each. The first three pertain directly to joy; the last to a cause for joy.

Ode to Joy


“Ode to Joy” started out as a poem by Friedrich Schiller. Ca. 1822, Ludwig van Beethoven composed music for it and included it into his “Ninth Symphony.”[1] It was actually used as the entrance hymn in my parish just earlier today at the Vigil Mass. Interestingly, Pyotr Ilyich Tchaikovsky’s “Ode to Joy” is also based off of Schiller’s poem, written “as his graduation exercise,” but feared publishing it “as he did not wish to be compared unfavorably with Beethoven.”[2]

Joy to the World


“Joy to the World,” a common Christmas carol, is derived from “a translation based on five verses from Psalm 98.” Isaac Watts, in his 1719 Psalms of David, was the one to publish the verses in this form, and Lowell Mason transformed them into music (though he credited not himself but George Frederick Handel for doing so) in 1839.[3]

Jesu, Joy of Man’s Desiring


“Jesu, Joy of Man’s Desiring,” published in 1723, is actually the tenth part of Johann Sebastian Bach’s “Herz und Mund und Tat und Leben,” and “is one of Bach’s best-loved works.” It’s frequently used a weddings upon the arrival of the bridal party;[4] perhaps this is reminiscent of Christ’s betrothal to His Church. In light of the beauty of this song, it fits well with Bach’s desire that all of his compositions should primarily be “dedicated ‘To the Greater Glory of God.’”[5]

Away in a Manger


The history behind “Away in a Manger,” today another common Christmas carol, makes very little sense. It was “published” by James R. Murray in 1887; however, it’s often attributed to Martin Luther—most likely because, for no apparent reason, Murray himself attributed it to Luther. In any case, the poem of the song actually comes from “a children’s Sunday school book,” and it’s only “possible” that Murray even composed the tune for it.[6]



[1] see David Nelson, “The Unique Story of Beehoven’s Ninth Symphony,” at In Mozart’s Footsteps: Uncommon Musical Travel” (29 April 2017), at inmozartsfootsteps.com.
[2] “Guide to Records: Tchaikovsky,” American Record Guide 63, no. 2 (2000), at Academic Search Premier, web.a.ebscohost.com.
[3] William L. Simon and Dan Fox (eds), Merry Christmas Songbook: Over 100 Holiday Classics Plus Lyric Book (Pleasantville, NY: The Reader’s Digest Association, Inc., 2003), 10.
[4] “Jesu, Joy of Man’s Desiring by Johann Sebastian Bach,” at Songfacts (29 April 2017), at www.songfacts.com.
[5] “Johann Sebastian Bach,” 2011, 1, at History Reference Center (accessed through EBSCOhost, web.b.ebscohost.com).
[6] Simon and Fox (eds), Merry Christmas Songbook, 8.
“The Story of a Soul”: A Book Review



“I believe that if a little flower could speak, it would tell very simply and fully all that God had done for it . . . The flower who is now going to tell her story rejoices at having to relate all the kindnesses freely done her by Jesus.”¹

Marie-Françoise-Thérèse Martin was born in 1873, entered the Carmel of Lisieux at age fifteen, and died as a nun just ten short years later, at the age of twenty-five.² Few knew her while she lived, and few cared when she died: yet today she is honored worldwide as Saint Thérèse of the Child Jesus, and was called “the greatest saint of modern times” by St. Pius X. ³ What made this young French saint so known and loved? In obedience to her superiors, Saint Thérèse wrote her autobiography, “The Story of a Soul.” This book became one of the most beloved spiritual classics of all time and inspired thousands with a special devotion to the “Little Flower” who told her story in this book.

Part of the appeal of “The Story of a Soul” is the simple but lovely style of Saint Thérèse’s writing, which makes her story easy to understand and relate to even in modern times. The content of the book is captured by its title: it is the story of Saint Thérèse’s soul, an account of the many graces which Jesus showered upon His little flower. The book has been divided into eleven chapters, by the advice of Thérèse’s sisters Pauline and Marie, who played a crucial role in getting St. Thérèse’s whole story written and eventually published. ⁵


Young St. Thérèse

            The first eight chapters of “The Story of a Soul” cover the story of Thérèse’s life from her earliest memories to the time when her closest sister Celine entered the Carmel following her father’s death. Thérèse divides her life into three different periods. The first period extends from her earliest memories to when she was four and half years old and her beloved mother died. Nearly all of Thérèse’s memories of these period were happy, for she was blessed with two holy parents and four loving sisters—Celine, Leonie, Pauline, and Marie—who reared her in an atmosphere of true sanctity. Thérèse was a bright, lively, joyful child during these years, though she recalls some weaknesses of character which showed themselves even in these early years, such as pride, stubbornness, and anger. However, she was quick to repent of naughty deeds, and her family was equally quick to forgive, so Thérèse’s life continued to be joyful during this time.


Thérèse’s Mother, St. Marie-Azélie Guérin

The second period of her life began with the death of her dear mother and lasted until she was fourteen years old. This was a time of real trial for all of the family, and it changed Thérèse from a lively, happy child to one who was extremely timid and overly sensitive. A disapproving glance was enough to make her cry, and she suffered from great scrupulosity. Her father and sisters continued to help her through this difficult time, and she made spiritual progress despite her fragility, especially in detachment from the world, love for Jesus, and the desire for heaven. This time saw the joyful feasts of her First Communion and Confirmation, and a special miracle by which Our Lady preserved Thérèse from dying of a severe illness; but it also saw the sad trial of Pauline’s entrance into Carmel, lonely times for Thérèse at school when no one wished to be her friend, and finally the heartbreak of Marie’s entrance into Carmel. This period ended when Our Lord gave her a special grace on the Christmas of 1886 which cured her of her extreme sensitivity and her tendency to cry easily.


St. Thérèse’s Father, St. Louis Martin

            The third period which Thérèse described stretched from that happy Christmas to the end of the first eight chapters of her story. During this time, Thérèse progressed greatly in her spiritual life as she discerned the call to enter Carmel at the early age of fifteen and encountered resistance from the Prioress, the Bishop, and even the Pope, though her loving family supported her in every possible way. After a great deal of suffering, alleviated somewhat by the inward peace of giving her best efforts to do God’s will, Thérèse was finally allowed to enter Carmel at age fifteen. Though she often experienced spiritual dryness and many other afflictions within the convent, Thérèse describes herself as living with great joy amid her greatest tribulations, including the agony through which her father passed in the final three years of his life, culminating in his death in 1894. This bittersweet event of his passage into Heaven was followed, after a period of struggle with external resistance, by the long-desired entrance of Celine into Carmel, to the great joy of her sisters. This event concludes the first eight chapters of Thérèse’s story.

Chapters Nine, Ten, and Eleven of Thérèse’s story take on a new tone, for they were written at a later time, as she was slowly dying of tuberculosis. The theme is the same, that of the special graces God has given her, but these graces are given in the context of a dark night of the soul she is experiencing. She speaks of this, and of her peaceful but daily struggles to move forward in charity and faith even when heaven no longer seems real to her. She teaches the younger nuns and instructs them, despite the dryness which she feels, and finally she writes down many things which Our Lord has revealed to her in prayer and in dreams, which Marie asked her to share with her sisters before she died. Thérèse concludes her story with a fervent prayer for “little souls” like her, and leaves the reader with a sense of wonder at her great love and humble sanctity. ⁶


            “The Story of a Soul” is a true spiritual masterpiece. In reading it, I was swept away by the simple but sweet language which contained so many profound thoughts of a soul so dear to Jesus. The structure of the book is fairly informal, and Thérèse makes many digressions, but this only contributes to the beauty of the story. It is a story of the wonderful graces Jesus bestowed on one of His little flowers and of her cooperation with these graces. It is a love story between His Soul and hers. I have found the book to be truly edifying as a guide to what one may expect in a loving relationship with Our Lord, and I found it truly uplifting as the tale of a little one who went before us and was given the grace to become a great saint despite her shortcomings.  The book’s conclusion is thrilling, for it suddenly connects us directly to St. Thérèse in a very powerful way. The Story closes with a prayer which St. Thérèse addresses to Our Lord on behalf of little souls just like ours:



“O Jesus . . . I beg You to choose in this world a multitude of little victims worthy of Your LOVE!!!” ⁷

 So ends the story of St. Thérèse’s soul . . . and so, perhaps, with her help, begins a new chapter in the story of our souls!


1. St. Thérèse of Lisieux, The Autobiography of Saint Thérèse of Lisieux: The Story of a Soul, trans. John Beevers (New York: Doubleday, 1957), 21.
2. John Beevers, Introduction, The Autobiography of Saint Thérèse of Lisieux: The Story of a Soul, by St. Thérèse of Lisieux, trans. John Beevers (New York: Doubleday, 1957), 9.
3. John Beevers, Introduction, 9.
4. John Beevers, Introduction, 15.
5. John Beevers, Introduction, 13-14.
6. St. Thérèse of Lisieux, The Autobiography of Saint Thérèse of Lisieux: The Story of a Soul, 19-159.
7. St. Thérèse of Lisieux, The Autobiography of Saint Thérèse of Lisieux: The Story of a Soul, 159.
Images:
1. “By Unknown - scansione effettuata da me medesimo, Public Domain” [https://commons.wikimedia.org/w/index.php?curid=2963642]
2. “By Hamachidori - Own work, CC BY-SA 3.0” [https://commons.wikimedia.org/w/index.php?curid=5286076]
3. “Public Domain”
[https://commons.wikimedia.org/w/index.php?curid=1888611]
4. “By unidentified photographer - http://www.ouest-france.fr/actu/actuDet_-Les-parents-de-Thérèse-de-Lisieux-beatifies-_3636-725020_actu.Htm, Public Domain” [https://commons.wikimedia.org/w/index.php?curid=8336949]
5. “By unidentified photographer - http://www.devinrose.heroicvirtuecreations.com/blog/2008/07/04/blessed-louis-and-zelie-martin-and-saint-damien/, Public Domain” [https://commons.wikimedia.org/w/index.php?curid=8337051]
6. “By Unknown - scansione effettuata da me medesimo, Public Domain” [https://commons.wikimedia.org/w/index.php?curid=2963642]
7. “By Celine Martin (Sor Genoveva de la Santa Faz) - Archivos del Carmelo de Lisieux, CC0” [https://commons.wikimedia.org/w/index.php?curid=35129680]
San Filippo Neri:
Saint of Joy and Laughter


    Americans today struggle with depression. There is no use denying the fact: we can read it in the lackluster eyes and drawn faces of citizens young and old all across the country. In a consumer-driven society, life is for many people a meaningless circle of moneymaking and money spending. The entertainment provided by popular media does little to alleviate the monotony beyond eliciting forced laughter at shallow, crude humor. Where can we go to rediscover the joy of life? Can real love and real laughter ever return to our lives in the bleak world we find ourselves in?

    Fortunately, we have a friend in Heaven whose whole life is an exuberant response to this question. One of Italy’s most beloved saints, this joyful man is called, in his native tongue, “San Filippo Neri.”

    The world into which this saint was born was at least as bleak as our own. The Roman Church in the 16th century needed “some message of repentance and redemption” as she battled the challenges of Martin Luther, Islamic military victories, the sack of Rome by Charles V, and the exile of Pope Clement VII.¹ From within, the Church’s hierarchy and common clergy were entangled in politics and the pursuit of wealth, which led to general corruption, ignorance and indifference in religious matters.² A voice of true Christian charity was needed to bring faith, hope and laughter back to the despairing world, and that voice was to come from a lowly Italian hermit who lived in an attic, tutored children, visited Incurables, and reached out to touch the people around him.³ His name was Filippo Neri.


    Filippo was no revolutionary; he was a simple man characterized by his intense piety, his loving personality, and his quirky sense of humor.⁴ Filippo loved God very deeply, and underwent numerous ecstatic experiences⁵ during which “[h]is heart would pound, his temperature would rise and his body would seem to rise from the ground.”⁶ The joy he received from such experiences radiated from him and spread contagiously to others. His relations with all of those around him can be summed up in a single sentence: “[He] loved people, and they loved him.” Filippo also knew not to take himself too seriously. Called by a recent author “the merriest man alive,” this humble priest was fond of a good laugh and referred to his favorite joke book almost as readily as he did to Scripture.

    Filippo Neri is sometimes remembered for founding a society of laymen to help the poor, the pilgrims, and the convalescents, or for founding an Oratory where people could play music and speak about God,¹⁰ or for beginning the tradition of the Seven Churches Pilgrimage in Rome.¹¹ His character, however, carries a special and very memorable message for our time. Through Filippo, God has shown us that one need not be gloomy or sorrowful to be a saint. In fact, holiness can be found by transforming the humdrum, seemingly dreary realities of everyday life by a spirit of love, joy, and laughter which can only be found through internal union with God.

Filippo lived during very challenging times in the Church and in the world, when the corruption and decadence all around moved many to despair or rebellion. Filippo’s response was different. He took people the way they were and worked with them using only the simple tools of honest devotion, real affection, and a sense of humor. He gave them recreations to keep them from doing wrong;¹² he gave them the example of a mystic in love with God;¹³ he clasped them to himself;¹⁴ and he laughed with them at the frequent absurdities of human life. 

Can we not do the same? By emulating this joyful, humorous approach to life, we can help alleviate the prevailing depression in our times and show others the true meaning of life. With the help of this heavenly friend, we can brighten their lives with humor, inspire them with new faith and hope, and embrace them with love. But we cannot do it without help, so we must ask, in a spirit of humility like his:  


Saint Filippo Neri, pray for us!


1. Michael Joseph Kerlin, "St Philip Neri and 16th-Century Church renewal," America 172 (May 20, 1995), 22, ATLA Catholic Periodical and Literature Index, EBSCOhost (accessed April 24, 2017).
2. Michael Joseph Kerlin, "St Philip Neri and 16th-Century Church renewal," 22.
3. Ibid.
4. Ibid.
5. Britannica Academic, s.v. "Saint Philip Neri," accessed April 24, 2017, http://academic.eb.com/levels/collegiate/article/Saint-Philip-Neri/55316.
6. Michael Joseph Kerlin, "St Philip Neri and 16th-Century Church renewal," 22.
7. Ibid.
8. Ibid.
9. Britannica Academic, s.v. "Saint Philip Neri," accessed April 24, 2017.
10. Ibid.
11. Michael Joseph Kerlin, "St Philip Neri and 16th-Century Church renewal," 22.
12. Ibid.
13. Britannica Academic, s.v. "Saint Philip Neri," accessed April 24, 2017.
14. Michael Joseph Kerlin, "St Philip Neri and 16th-Century Church renewal," 22.
Images:
1. “By Unknown - From Wikipedia, the free encyclopedia, Public Domain” [https://commons.wikimedia.org/w/index.php?curid=1936178]
2. “Public Domain” [https://commons.wikimedia.org/w/index.php?curid=616601]
3. “By HeiligerSatyr - Own work, CC BY-SA 4.0” 
[https://commons.wikimedia.org/w/index.php?curid=55579357]

Father Solanus: The Story of Solanus Casey, O.F.M. Cap. by Catherine M. Odell: A Book Review


Father Solanus: The Story of Solanus Casey, O.F.M. Cap. is a biography of this holy Capuchin priest, as the title suggests. It is written by Catherine M. Odell, who is also the author of Those Who Saw Her: The Apparitions of Mary and co-author of The First Human Right: A Pro-Life Primer. This book tells Venerable Father Solanus Casey’s story, a story that is beneficial to read since it is “so relevant and inspirational.”1 Emphasizing both Father Solanus’ holiness and his normal human joys, this biography is enjoyable and uplifting.

The preface of the book gives the following insight regarding why the book is advantageous for the modern American Christian to read: “Father Solanus Casey is an awesome and yet accessible model for our modern times. His virtues and story “translate” especially well for today’s American Christians.”2 The preface also provides the reader with a sneak-peak of what to expect in the rest of the work by describing some of the main characteristics of this holy man’s life as well as some of the recurring graces granted to people through his intercession. Some of the reasons that made this holy man so approachable are also listed in the preface. For instance, it says that he “loved baseball, hot dogs with onions, and could shoot a fair game of pool.”3

The front cover of the book is black with white and colored text and includes a painting of Father Solanus by Nancy Dendy Geerts. The cover of the book is designed by James E. McIlrath. The back of the book tells that the book includes a photo section and also gives a description of Father Solanus and examples of people whose lives he touched in a good way. Through its description of Father Solanus, the back cover of the book makes one eager to read the book. Additionally, the back of the book declares that the life of Father Solanus is understandable and inspirational to the modern man. This book is of a suitable size to be carried around easily, although perhaps not quite small enough to be considered pocket-sized. Also, being a paperback, it is not so heavy as to make travelling with it cumbersome.

This work is divided into twelve chapters with a photo section in the middle and a section called “Words and Wisdom of Father Solanus” near the end. This section is followed by the “Chapter Notes” and “Bibliography.” The chapter titles, except for the title of the last chapter, include the years which are covered in that chapter; this makes it very easy to figure out what happened to Father Solanus or where he was at any given time during his life. The last chapter, however, does not give the years it covers as it is the chapter dealing with what happened after the death of this holy man. The photo section, encompassing pages 125-147, gives pictures of this man, his family, people with whom he was connected, and places where he worked or was buried. The photos include explanations beneath them. The section titled “Words and Wisdom of Father Solanus” gives quotes from the holy man on various topics, such as gratitude, trust in God, suffering, and many others.

The style of this book is easily comprehensible to all readers as it is neither too abstruse to be understood, too dry to be captivating, nor too simple to be interesting. There are some unexplained references that may not be understood by all; however, they are not essential to grasping the overall themes of the book. There are also many references to historical events that influenced the life of this Capuchin either directly or indirectly. These references help the reader to place this man’s life and ministry within the larger history of the world. Also, many quotes are spread throughout the work; these give the words either of Father Solanus or of other people talking about him or about his works.

The main character in this work, predictably so, is Father Solanus Casey. This book tells of the life and doings of this “approachable holy man.”4 Through this man’s prayers and counsel many people found healing in their lives or resignation to the will of God in hardships and sorrows. Father Solanus Casey is shown, in this book, to be a lovable man with whom it is easy to empathize. The reader is led to realize the insignificance of this life and of its apparent troubles when one reads that this man, whose prayers healed so many, seemingly remained indifferent when faced with the possibility that his legs might need to be amputated.

A major theme running through the life of Father Solanus and through this book is Father Solanus’ gratitude to God. The reader can begin, perhaps, to experience some of this supreme gratitude to God when he reads that Father Solanus was able to thank God even for what would have seemed to others to be hardships. For example, Father Solanus wrote “Deo Gratias,” that is, “Thanks be to God,” in his journal next to the entry telling about the early death of his one-time girlfriend. At another time, he stated, “My whole body hurts, thanks be to God.”5 This Capuchin father was grateful to God for the ups and the downs of life. This gratitude of Father Solanus is woven throughout the book in the same way that it was woven throughout the life of this man.

This book is published by Our Sunday Visitor, Inc. and the year of publication is 1988. The ISBN number is 0-87973-486-8.

Images used:
First Image: Kiera Kelley, “Father Solanus by Catherine M. Odell,” scan, 27 April 2017.
Second Image: Kiera Kelley, “Father Solanus 1943 Photo with Message,” scan, 27 April 2017.
Third Image: Kiera Kelley, “Father Solanus SMA Enrollment Photo,” scan, 27 April 2017.

1 Catherine M. Odell, Father Solanus: The Story of Solanus Casey, O.F.M. Cap. (Huntington, IN: Our Sunday Visitor Inc., 1988), 208.
2 Catherine M. Odell, preface to Father Solanus: The Story of Solanus Casey, O.F.M. Cap. (Huntington, IN: Our Sunday Visitor Inc., 1988), 6.
3 Odell, preface, 6.
4 Odell, Father Solanus, 176.
5 Odell, Father Solanus, 197

Gerard Manley Hopkins: Poet and Priest


The Catholic Literary Revival was a time when art of various kinds was produced by Catholics all over the world. Catholic poets, musicians, play-wrights, and novelists emerged in Germany, France, England, Japan, and the United States. This abundance of Catholic artists included, among others, Thomas Mann, Charles Peguy, Hilaire Belloc, G. K. Chesterton, Evelyn Waugh, Dorothy Sayers, T.S. Eliot, Edward Elgar, Shusaku Endo, Flannery O’Conner, and Walker Percy. Gerard Manley Hopkins, a convert to Catholicism, could also be added to this list; he was both a Catholic poet and a Jesuit priest.1

This Gerard Manley Hopkins was born in England on the 28th of July in the year 1844. He originally belonged to the Church of England but he eventually converted to Roman Catholicism in 1866, partly due to the influence of John Henry Newman. He was ordained a Jesuit priest in 1877 at 33 years of age. He died at the age of 44 in 1889 and, at that time, “he was unknown as a poet.”2 His poems were first published in 1918 by a friend of his.3

When he was young, Hopkins burned his poems because he believed that poetry was "simply unnecessary and unimportant—a self-indulgence at odds with the seriousness of his religious vocation."In fact, Hopkins many times resolved to give up poetry for the sake of God.5 However, he did continue to write poetry until shortly before he died.What follows is the poem “Morning Midday and Evening Sacrifice,” written by Gerard Manley Hopkins.  Underneath Hopkins’ poem is a poem written by the author in imitation of “Morning Midday and Evening Sacrifice.” This latter poem is called “Faith Hope and Love at Sacrifice."

Gerard Manley Hopkins’ Poem:
  
Morning Midday and Evening Sacrifice

The dappled die-away
Cheek and wimpled lip,
The gold-wisp, the airy-grey
Eye, all in fellowship—
This, all this beauty blooming,
This, all this freshness fuming,
Give God while worth consuming.

Both thought and thew now bolder
And told by Nature: Tower;
Head, heart, hand, heel, and shoulder
That beat and breathe in power—
This pride of prime’s enjoyment
Take as for tool, not toy meant
And hold at Christ’s employment.

The vault and scope and schooling
And mastery in the mind,
In silk-ash kept from cooling,
And ripest under rind—
What life half lifts the latch of,
What hell stalks towards the snatch of,
Your offering, with despatch, of!7

Imitation by the author:
  
Faith Hope and Love at Sacrifice

The colors fade-away
White and golden Cup;
The heart-gaze, the whisper-pray,
Soul, all are lifted up—
Here, all in Faith believing,
Here, all God’s Love is saving,
Faith frees from fear’s enslaving.

Both heart and head now stronger
And told what now to long for;
Face, forearm, foot, and finger
To love and live in Grandeur—
Here Hope sees Hope’s enjoyment
Given as start, not finishment
And glimpse of self’s fulfillment

The fire and flame of loving
And heartening of the heart,
By Christ-Rock saved from moving,
And hottest under hard—
What Faith frees from the fear of,
What Hope brings towards the close of,
Love enables to partake of!

  
Image: Open Plaques, “Gerard_Manley_Hopkins,_Stratford_Library,_London_(9436768278),” photograph, 4 August 2013, https://commons.wikimedia.org/.

1 John Vidmar, The Catholic Church through the Ages: A History, Second Edition (New York: Paulist Press, 2014), 347-348.
2 Joseph J. Feeney, “Praise Him,” America 212, issue 12 (6 April 2015), 14-15.
3 Feeney, “Praise Him,” 16.
4 David Jasper, “God’s Better Beauty: Language and Poetry of Gerard Manley Hopkins,” Christianity and Literature 34, no. 3 (1985), 9.
5 Jasper, “God Better Beauty,” 10.
6 Feeney, “Praise Him,” 15.
7 Gerard Manley Hopkins, “God’s Grandeur” and Other Poems (New York: Dover Publications, Inc., 1995), 30.